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Finding The Core Belief: The Impact of the Flat-Arc Protagonist
Character

Finding The Core Belief: The Impact of the Flat-Arc Protagonist

Stories where the protagonist remains steadfast in their beliefs and, in doing so, changes everyone around them. This is called in some circles... "The flat-arc protagonist."
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Tom Vaughan
How To Incorporate Screenplay Notes From Friends, Writers Groups, and Others.
The Business

How To Incorporate Screenplay Notes From Friends, Writers Groups, and Others.

This week is a different kind of development challenge. What to do with notes from friends, family, other writers, coverage, contests, and any other input you get from the various sources.
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Tom Vaughan
Navigating Screenplay Development Without Getting Fired.
The Mental Battle

Navigating Screenplay Development Without Getting Fired.

Early in my screenwriting career, I was insecure, combative, and a pain to work with. Here is how I turned that around.
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Tom Vaughan
Exposition: Find The Emotional Connection In Your Screenwriting
Structure

Exposition: Find The Emotional Connection In Your Screenwriting

The early challenges of sloppy exposition are due mainly to a lack of confidence and trust. Which is also kind of the bad news. It takes time to develop those two things.
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Tom Vaughan
Make Your Screenplay More Readable: Write Vertically
Action Lines

Make Your Screenplay More Readable: Write Vertically

Put simply, writing vertically refers to making choices that push the reader's eyes DOWN the page more often than they go ACROSS the page.
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Tom Vaughan
Navigating the Rewrite Process: Finding New Perspectives
Story

Navigating the Rewrite Process: Finding New Perspectives

There's nothing magical about the rewrite.  It's the same as writing. So don't overcomplicate it, and don't let it intimidate you.
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Tom Vaughan
Five Phases of Feature Development
Structure

Five Phases of Feature Development

I left my last agents at Paradigm over a disagreement about two spec scripts.  I liked them. They didn't.
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Tom Vaughan
The Protagonist's Most Important Trait: Resilience.
Character

The Protagonist's Most Important Trait: Resilience.

By the end of your story, your protagonist should demonstrate resilience. I know, I know.  How interesting could it be if every protagonist had this exact same trait? It turns out, it's very interesting.
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Tom Vaughan
The When And The How Of Landing An Agent.
The Business

The When And The How Of Landing An Agent.

Getting representation is a process, like most things, dominated by economics. That is, the allocation of limited resources. Yours and theirs.
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Tom Vaughan
Character is story. Story is character.
Character

Character is story. Story is character.

Here are three character questions I ask to help nail down the underlying needs that drive a character’s transformation.
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Tom Vaughan
The Mental Battle of Screenwriting
The Mental Battle

The Mental Battle of Screenwriting

Screenwriting is difficult. But, once we accept this — that it is difficult — and we abandon the idea that if it is difficult, something must be wrong… well, then we just… go on.
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Tom Vaughan
The Midpoint
Structure

The Midpoint

An event at the midpoint of the movie that reverses what was previously believed to be true, changes the stakes, or otherwise creates a new environment or given circumstances for the protagonist
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Tom Vaughan
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