Structure The vital job of Act 1 that not enough people talk about A huge part of Act 1's job is to get the audience to believe the protagonists's often outlandish choice that drives us into Act 2.
Structure Does the relationship trump the dramatic question? How could a movie possibly work when the dramatic question is answered at the end of Act 2?
The Business Know what makes your screenplay unique. The fastest route to selling a script and getting it made is to have a concept that gets people excited before they ever read the screenplay.
Structure Screenplay structure is fractal. I approach each screenplay structure as a fractal and have found that the most satisfying screen stories follow this pattern.
Scene Work The last line of a scene is the impact. The button is the last line of a scene. It is the final moment before we transition out of one scene and into the next.
Action Lines The first line of the scene is the first image. The first line of every scene is special. It has a purpose. This purpose is especially important as there is so much friction for the reader in the transition from one scene to another.
Action Lines A screenwriting tip from copywriting. Neither screenwriting or copywriting are the end product. They are a step in a process. Both of these forms are a call to action.
Action Lines Movies are about moments. Processing any combination of basic principles is far more likely to lead you down the right path as well as get you out of trouble.
Scene Work Juice up scenes with YES/NO. So much of the screenwriting I read just kind of moves along. t's all very polite. No bad pages. But there aren't any great scenes, either.
Process Bad notes, unskilled notes, and knowing the difference. The world will never run out of notes. As long as you keep asking for notes, you will get them. And even some after that.
Character Does your character need a superpower? There are certain common questions or notes we hear in development. You can add, "What's their superpower?" to the list.
Dialogue Five ways to improve your Dialogue The challenge is always the same. We must control the puppet strings of these characters so they perform the needs of the scene yet create the illusion of genuine agency.