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Five ways to improve your Dialogue
Dialogue

Five ways to improve your Dialogue

The challenge is always the same. We must control the puppet strings of these characters so they perform the needs of the scene yet create the illusion of genuine agency.
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Tom Vaughan
After the midpoint.
Structure

After the midpoint.

The midpoint doesn't change the character. It just changes their direction.
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Tom Vaughan
It's not the plot. It's the emotion.
Scene Work

It's not the plot. It's the emotion.

It's the emotion, stupid. The emotion is what counts. Always, always, always.
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Tom Vaughan
How the monster movie structure can help you with any genre.
Structure

How the monster movie structure can help you with any genre.

When structuring your story, you don't have to start from scratch. There are plenty of places to look for inspiration, and one of them is genre.
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Tom Vaughan
Three foundations to solve any screenwriting problem.
Process

Three foundations to solve any screenwriting problem.

Most everything I teach comes down to three pillars. I have found that when I am struggling, one of them has broken down.
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Tom Vaughan
Keep the audience engaged as you keep secrets.
Structure

Keep the audience engaged as you keep secrets.

You never want the audience to wonder what the story is. Let them think they know. And then reveal it to be something more.
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Tom Vaughan
Falling to the level of your systems.
Process

Falling to the level of your systems.

"You do not rise to the level of your goals. You fall to the level of your systems." — James Clear.
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Tom Vaughan
Your Subplots Are Story, Too.
Structure

Your Subplots Are Story, Too.

There is no “B Story”; only the main story. And that main story has subplots that support and deepen it.
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Tom Vaughan
Audience satisfaction is your job.
Story

Audience satisfaction is your job.

Audience satisfaction is about the audience experiencing enough of an emotional journey that they feel like their money, attention, and, above all, their time was worth it.
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Tom Vaughan
The scene is the emotion. The emotion is the scene.
Scene Work

The scene is the emotion. The emotion is the scene.

Movies are an emotion delivery system. This is the point of the whole exercise. And that is the point of the scene.
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Tom Vaughan
It's the relationships that matter in your screenwriting.
Character

It's the relationships that matter in your screenwriting.

“What audiences really care about,” he said, “Was seeing the character share that achievement with a loved one.”
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Tom Vaughan
Keep a scene dynamic through character tactics.
Scene Work

Keep a scene dynamic through character tactics.

The key to keeping a scene fresh and alive is characters making choices in reaction to what happens around them.
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Tom Vaughan
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