Story and Plot Weekly Email
  • Home
  • Start Here
  • Courses
  • Testimonials
  • SUBSCRIBE
The relationships go the way of the story.
Character

The relationships go the way of the story.

Stories do not illustrate a protagonist's journey solely through their actions but also through the effects those actions have on others in their lives.
Read More
Tom Vaughan
Know the mini-story of the scene.
Scene Work

Know the mini-story of the scene.

At its core, screenwriting is scene work. And like everything else, scenes have a story.
Read More
Tom Vaughan
A nepo baby's main advantage is something you can emulate.
The Mental Battle

A nepo baby's main advantage is something you can emulate.

The biggest advantage of nepotism isn't the connections; it's the immersion in the craft and the embedded belief that a career is possible.
Read More
Tom Vaughan
For screenwriting, it's show, then tell.
Action Lines

For screenwriting, it's show, then tell.

Perhaps the most repeated bit of screenwriting advice is "show, don't tell." But maybe that's not the whole story.
Read More
Tom Vaughan
Five ways to simplify your screenwriting.
Process

Five ways to simplify your screenwriting.

Have you SEEN how much information is available on screenwriting? How can we possibly keep our minds clean to write?
Read More
Tom Vaughan
When your story idea starts with a world.
Process

When your story idea starts with a world.

Stories can come from anywhere. A great source is simply recognizing an interesting world that is ripe for narrative attention.
Read More
Tom Vaughan
A tip from acting for the screenwriter.
Scene Work

A tip from acting for the screenwriter.

While an actor, I was taught a little trick about giving my character a secret.
Read More
Tom Vaughan
The trope doesn't have to mean cliché.
Scene Work

The trope doesn't have to mean cliché.

Sometimes, a story wants or needs a beat that we have seen many, many times before. That makes it more of a challenge, not less.
Read More
Tom Vaughan
Act 3 reveals the structure of your story.
Structure

Act 3 reveals the structure of your story.

There is an expression about how you can determine your real values based on how you allocate your resources. This is true for screen time as well.
Read More
Tom Vaughan
The vital job of Act 1 that not enough people talk about
Structure

The vital job of Act 1 that not enough people talk about

A huge part of Act 1's job is to get the audience to believe the protagonists's often outlandish choice that drives us into Act 2.
Read More
Tom Vaughan
Does the relationship trump the dramatic question?
Structure

Does the relationship trump the dramatic question?

How could a movie possibly work when the dramatic question is answered at the end of Act 2?
Read More
Tom Vaughan
Know what makes your screenplay unique.
The Business

Know what makes your screenplay unique.

The fastest route to selling a script and getting it made is to have a concept that gets people excited before they ever read the screenplay.
Read More
Tom Vaughan
Story and Plot Weekly Email © 2025
  • SUBSCRIBE
  • Twitter
  • LinkedIn
Powered by Ghost